No
Man's Land
1/2
2001
Directed by: Danis Tanovic
Written by: Danis Tanovic
Main Cast:
Branko Djuric - Chiki
Rene Bitorajac - Nino
Filip Sovagovic - Cera
Georges Siatidis - Marchand
Serge-Henri Valcke - Dubois
Sacha Kremer - Michel
Alain Eloy - Pierre
Mustafa Nadarevic - Old Serbian Soldier
Bogdan Diklic - Serbian Officer
Simon Callow - Soft
Katrin Cartlidge - Jane Livingstone
Tanja Ribic - Martha
Branko Zavrsan - Démineur
Rated R
“Do you know the difference between an optimist and a pessimist is? An
optimist thinks things can’t get worse; a pessimist knows they can.”
To sum up: Caught in the middle of No Man’s Land, two enemies decide
to come to terms and learn that they still hate each other.
No Man’s Land is a film where everyone in it tries
to reach beyond themselves, strive to improve a lousy situation, to buck the
bureaucracy and the status quo and fail miserably. It’s a sad situation that’s
a telling account of humanity, misery, waste, and Murphy’s Law. It’s also
pretty darn funny at
times.
It takes place in 1993 during the war in Bosnia. A
relief force of Bosnian soldiers accidentally wander into Serbian territory
and are cut to pieces; all save one soldier (Djuric) who finds himself in a
trench in the middle of no man’s land. The following morning two Serbians
investigate the site and sweep for survivors. The more experienced of the two
is killed leaving the rookie (Bitorajac) in a face to face standoff with the
surviving Djuric. So stuck with each other, stuck with the danger of being
killed by either side, and with a third soldier stuck on a mine that could kill
them all, they need to get along or get
killed.
The beauty of this film is the clever way in which
it discusses the pointless futility of war. This particular war has gone on
for so long and is based on so mindless a reason to begin with (ethnic
differences), that all the arguments surrounding the issue comes across as silly and
wasteful. This point is perfectly underscored when, amidst artillery shelling
that could kill them both, they are engaged not so much in survival as in the
debate (too kind a word) of who started the war. Indeed, it’s like watching
two kids at a playground argue, especially since the whole issue is moot at this point.
French U.N. soldier Marchand (Georges Siatidis),
frustrated with the apathy that is the foundation of his orders, which require
him to stand by and essentially do nothing but man his post, takes matters
into his own hands and tries to rescue the stranded soldiers. Forming an
alliance with a British journalist (Katrin Cartlidge) they try to do something
in this do nothing peace-keeping mission, by getting this crisis on the world
stage so that the "higher ups" have to take action.
They both start out with good intentions,
but the forces of fate, hatred, lethargy, and the quest for ratings all
conspire against everyone. Cartlidge's superiors are more interested in
getting interviews with the individual soldiers than they are with caring for
the people involved. The U.N. peacekeeper in command is more interested in
sexual dalliances with his blonde secretary, and considers these events as inconvenient
distractions. Djuric and Bitorajac are more interested in hating each other
than a sane solution. On and on, no one comes off well in this film.
What's interesting is how the film is able to deal
with all of these pathetic and sad elements and still come off as the
amusingly dark comedy that it is. It's a hard task to deal with the depressing
and make it funny and this film pulls it off with ease.
All of this and knowing winks at German
regimentality make this a film to catch; even those of you who don't like
subtitles.
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